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cross the line, one boy repeated. you do, you die. doesn matter how much you rehearse, Hatfield later acknowledged. always have one wandering 4 year old on stage. worrisome for Hatfield are her two senior leads, who are each trying to put their own spin on a pair of celebrated roles.

The musical, which takes place in Thailand former incarnation of Siam, offended natives with its flippant treatment of the country royal family. The hurt ran so deep that when Hollywood returned to try to film a more culturally sensitive version of the story in Thailand (1999 and the King the country government refused, forcing the production to relocate to Malaysia.

aims for authenticity

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In truth, her job description reads closer to that of an event coordinator for an arts festival. Yes, she has 40 college actors to direct, but she also serves as de facto nanny for 22 child actors, the overseer of a 15 minute, mid show ballet, and the final voice on matters ranging from set dressing to period detail.

think it the third or fourth time that ACU has done 'The King and I, said Ashley Parizek, who is playing the plucky English tutor Anna. besides that, it a well known and well done show. Still, we have a lot of freedom with our characters. (Hatfield) has Hermes Belt New Design

The ACU undergraduate Bible professor has spent the majority of his life about 35 years living in Thailand, during which he hobnobbed with members of the royal family on multiple occasions. Henderson goal was to add a proper dose of reverence for royalty to the musical plot, which concerns an Englishwoman cross cultural courtship with the King of Siam and his children.

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had several evening gowns that we had to modify in the Thai style, Freeman said. while I was in New York, shopping for this show, I got some sari drapes to include. there are the onstage performers. With the help of four designated wranglers, Hatfield has worked to make sure the show child cast whose members range from 4 year olds to teens hits its marks. At a recent rehearsal, Hatfield sat down all 22 kids to remind them not to walk past the line separating the stage from the Civic Center deep orchestra pit.

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Henderson and two ACU students with experience of Thailand brought these sorts of cultural insights to the production. To ensure that some of the show lines were delivered Louis Vuitton Belts For Sale in authentic Thai, Henderson translated and recorded them in a sound booth so that actors could study and perform them properly.

stock but needed sprucing up.

cedures, Henderson said. not just like Hermes Belt Black Buckle

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let us bring our own personalities to them. describes Anna as with little edge to her which makes her a remarkable female character for the musical 19th century setting.

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With the production taking place in the cavernous Abilene Civic Center, everything a few times bigger than a normal musical. So when it comes to the nitty gritty, Hatfield said she looks to the rest of her staff to help polish the show.

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interacting with normal people. recalls one occasion when he and a group of about 20 Christians went to the palace of Thailand crown prince to perform a set of Christmas carols. When the time came for the group to leave, the prince and his family were seated. Thai culture pays a powerful deference to a person head, and that effect is only amplified with royalty: no one can stand above a member of the royal family.

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All of that past acrimony has helped to inform Abilene Christian University homecoming production of King and I, which debuts Friday at the Abilene Civic Center. Rather than taking the easy route and leaning on stereotypes, director Kari Hatfield and her staff recruited their ace in the hole for cultural accuracy: Larry Henderson.

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Costume designer Sandy Freeman has furnished almost 200 costumes for the show, half of which are rented. As for the other 100, several of those came from ACU Ferragamo Belt Orange

As the king, Peter Hargrave is most interested in his character constant give and take with Anna. Both their personalities and cultures end up meeting in unlikely ways.

not fall off the stage, she stressed.

all about the details, Hatfield said. sure that communication is open, and that we clear about our intent to all involved. has a history of swinging for the fences with its homecoming musicals last year was an especial behemoth and this production is no exception.

didn want the actors speaking in pidgin English, Henderson said. they said, 'Let have them speak Thai. layer of accuracy is just one of the many details that Hatfield has to iron out for the sprawling show. When a theater production swells into a true epic like this one, Hatfield title of becomes a bit of an understatement.

So to avoid offense, Henderson and his colleagues crawled out of the room on their hands and knees.

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